
Orion spacecraft splashed down at 5:07 p.m. PDT in the Pacific Ocean off the coast of California on Friday, April 10, 2026. Credit: NASA/Joel Kowsky
The Orion capsule carrying four astronauts of Artemis II returned to Earth on Friday. Watching the re-entry and splashdown reminded me of the Gemini and Apollo spaceflights I watched as a kid. For me, the splashdown was the most exciting part of the flight, even more than the launch. Back then, the Navy divers were called “frogmen.” Seeing the drogue parachutes deploy and the Orion capsule descend and drop into the ocean — now captured by more cameras with better imaging — made me excited once again, like a kid.
Speaking of cameras, the astronauts took photos with an iPhone 17 Pro Max. Jennifer Levasseur, Curator of the National Air and Space Museum at the Smithsonian Institution, wrote an article in The Conversation: “Artemis II crew used modern photography to tell the visual story of their lunar journey – and update some classic Apollo images.” Levasseur says that as a member of Gen X, she has no personal memory of the Apollo missions. She grew up with “images of space travel (that) were characterized by launching space shuttles, Erector Set-like space stations and Mars rovers crossing a dusty landscape.” The photos from the Artemis II mission look like “classic” Apollo-era images but taken with better tools. These images make space travel look: “grand, adventurous, audacious, sublime.”

NASA astronaut Christina Koch gazes at Earth on April 2, 2026, taken with an iPhone 17 Pro Max. (Photo: NASA)
Maker Faire Paris returns this weekend
Que fabriquez-vous? Jen Blakeslee writes that Maker Faire Paris returns after four years.
Maker Faire meets Time Bandits.
In its new home at the historic Musée des Arts et Métiers, Maker exhibits will sit side by side with gadgets, machines, and curiosities that span the efforts of inventors from the 18th century onwards effectivly turning the museum into a living lab. Housed in a formerly abandoned priory and originally conceived as a “school” to train engineers during the Industrial Revolution, Maker Faire Paris unfolds in a place where invention has always been in motion. Its collections—early airplanes, primitive vehicles, the first batteries, and foundational calculating machines—were not assembled as static artifacts, but as teaching tools. They were meant to demonstrate how things work and how they evolve and tell a consistent story of trial, error, and refinement.
In integrating Makers and their projects directly alongside these historical objects, the event creates a dialogue between past and present, (re)connecting modern making to a centuries-long tradition of iteration. The message: Contemporary Makers are not separate from history, they are its continuation.
Zeus
In the opening ceremonies of the last Summer Olympics viewers across the world were treated to a fantastical site: A horse that appeared to be running on the surface of the river. This mythical metal horse, Zeus, created by Nantes-based Atelier Blam in collaboration with MMProcess, took over a year to design and build. It is a 1.8-meter-long, silver-plated aluminum and stainless steel sculpture mounted on a 14-meter, high-speed electric trimaran designed to “gallop” across water, blending art, metallurgy, and marine engineering. After a year on display at the palace of Versailles, it is now at the Musée des Arts et Métiers until 2027.

Dirigible enthusiast and Steam Punk-cosplayer Kurt Gerlach brings his modern twist on the Zeppelin to Maker Faire Paris.
Ah, être à Paris pour le Maker Faire!
Open Sesame
Dorian Todd’s Sesame robot is a fully open source hardware project that you can make at home from off-the shelf components. It is a 3D-printed quadruped robot with four motors and uses an ESP32-based microcontroller. Todd says “it’s a bit different from the robot dogs you might see online.”

Learn more about Sesame on the Make: Substack.
You can watch the Sesame Robot video below.

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